{"id":25509,"date":"2016-03-18T11:55:18","date_gmt":"2016-03-18T11:55:18","guid":{"rendered":"http:\/\/chopsybaby.com\/magazine\/?p=25509"},"modified":"2023-10-03T14:43:22","modified_gmt":"2023-10-03T13:43:22","slug":"the-marriage-of-figaro-review-welsh-national-opera-at-the-bristol-hippodrome","status":"publish","type":"post","link":"https:\/\/chopsybaby.com\/magazine\/the-marriage-of-figaro-review-welsh-national-opera-at-the-bristol-hippodrome\/","title":{"rendered":"The Marriage of Figaro – Review – Welsh National Opera at The Bristol Hippodrome"},"content":{"rendered":"

Our Verdict: <\/strong>A beautiful performance of a Mozart Classic<\/p>\n

Our Rating:<\/strong>\u00a010\/10<\/p>\n

Wednesday 16\u00a0March 2016 at 19.00pm
\nSung in English with English Surtitles<\/em><\/p>\n

What an outstandingly\u00a0beautiful\u00a0performance and what a stunning cast. It’s been a long time since I have seen a cast work and gel so well together, especially in such a complex work.<\/p>\n

Nobody messes with Mozart. Not even the WNO have tinkered with this hugely popular opera relying on everything the composer has written into this comic romp. All we need are the performers to take to the stage and the ingredients are all there – beautiful music, ridiculous humour, belly laughs, intrigue, deceit, lies and ultimately redemption through love.<\/p>\n

The understated set acts as the perfect blank canvas for the music and the sumptuous costumes transport us right back to the 1790s. During the incoming, contemporary actors mill about the stage warming up for the performance until Figaro dashes on. We are deliberately reminded that despite the passage of time, the themes and subject matter remains the same today.<\/p>\n

In fact, the twists and turns of this complex storyline weave much like an intelligent and enlightened precursor to the Jeremy Kyle Show. Well the odd bits I’ve seen during channel hopping.<\/p>\n

The opera is one of the most performed across the world so of course, it has its pOp hits such as Figaro’s taunting Non pi\u00f9 andrai which works brilliant with Jeremy Sams’<\/strong> translation. \u00a0Voi che sapete che cosa \u00e8 amor is another pOp hit and of course, \u00a0Sull’aria…che soave zeffiretto\u00a0– yes we did hear some of you collectively mutter Shawshank Redemption – though overall I always find it harder to shake Shaffer’s Amadeus from The Marriage of Figaro.<\/p>\n

Conductor Timothy Burke<\/strong> held those busy strings together brilliantly in the overture, which in this opera must be rather like steering a tank through a glass shop. Of course, the opener is a perfect musical juxtaposition for the reflection in\u00a0both Susanna and the Countess’ arias, performed with breathtaking beauty by both singers.<\/p>\n

David Stout<\/strong> is a marvellously affable and loveable Figaro, starting out measuring space for the 18th century version of an Ikea bed. He\u00a0is very well matched with Anna Devin’s<\/strong> bright, witty and intelligent Susanna.\u00a0Naomi O’Connell<\/strong> as the page Cherubino, is a scene stealer with her perfectly portrayed disorderly youth. And Elizabeth Watts<\/strong> gives an incredibly dignified performance of the sorrowful countess. All work well together in their attempts to fool Mark Stone’s <\/strong>Count Almaviva.<\/strong> It would have been better to see more character development \u00a0for Stone instead of such single minded determination, which left the reconciliation with the Countess at the end a little hurried and cold.<\/p>\n

Definitely a mention has to go to Susan Bickley’s<\/strong> Marcellina. It seems such a shame that her\u00a0Il capro e la capretta,<\/em> had such a\u00a0great delivery but the direction came across as if she had simply wandered onto the stage by mistake. This aria, especially in this translation, definitely goes with the mixing modern with traditional opening director Tobias Richter<\/strong> gave us at the beginning. The themes are still strong today and this deserved\u00a0better attention.<\/p>\n

The Marriage of Figaro<\/strong> will be at The Bristol Hippodrome<\/strong> again on Saturday 19 March at 19.00pm.<\/p>\n

It’s a wonderfully uplifting performance and a perfect Saturday night treat.<\/p>\n

 <\/p>\n